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Sanjay Gadhvi's blustering arrival with DHOOM and DHOOM 2
made him as the most happening directorial prospect of the
Hindi filmdom. KIDNAP, a hi-octane thriller intertwined with
deadly kidnapping plot with thrilling action sequences, brings
him back again in the business! Pritam, a leading front-runner
among chartbusting albums (four in a row) and also reason
behind Gadhvi's DHOOM musical success makes his fifth presence
of this year with KIDNAP. It also marks the arrival of new
composers Sandeep and Sanjeev Vyas with their solitary but
significant attribute. Does KIDNAP prove to be another DHOOM
for director Sanjay Gandhvi and fifth consecutive success
of this year for ''triumphant'' Pritam? Let's find this out!
''Mit Jaaye'', a thriving and rip-roaring number from new
set of composers (Sandeep and Sanjeev Vyas) comes out all
the way as highly impulsive background number where the inhibited
rebellious feel of the protagonist gets highlighted with blistering
and burning music. Emerging talent Sandeep Vyas (also lyricist
of this song) makes a lively vocal presence in a true ''rock-star''
singing mode where thriving electronic sounds makes an impounding
impact in midst of a racy arrangements. It's an impressive
invigorating background score track that will be adding substantial
meat in the compelling situations of the flick. Its ''rock
version'' is high on rock based instrumentals where excessive
usage of guitar, drums and keyboards sparks off the proceedings
with a flare. The raging ire in the vocals gets a befitting
backdrop of equally aggressively pulsating arrangements and
this version is likely to be having more takers among urbane-listeners.
Pritam's supreme command over ''femme fatale'' stylized songs
has been a strong factor in his success and ''Hey Ya!'' from
sensuous sounding Suzy Q comes out as next sizzler on the
block. It could have been credited ''S for Soniya'' for better
commercial prospects but still this enthralling song is highly
amusing in its contents and sounds shades similar to Pritam's
''Sania Badnam'' (APNA SAPNA MONEY MONEY) and ''Zara Zara
Touch Me'' (RACE) in its loud squeamish voguish outburst.
''Hey Ya!'' stands tall as next ''hot ''n'' happening'' chartbusting
material that lauds the efforts of new singer Suzy Q for her
sensuous binge. It's fastidiously slick choreographic moves
and alluring trendy musical zing is likely to be making it
as next show-stopper in coming days. ''Hey Ya! (House Mix)''
speeds up the proceeding with its energized and accelerated
disco thumps and beat-juggling impacts in making it as another
hip-shaker for the floors.
Adnan Sami sings out a ''teasing-pleasing'' fun-filled number
that comes out with upbeat hip-hop and zing pop arrangements
in a lightheartedly composure in ''Haan ji''. This time Pritam's
composition may not be as inspiring as it was in his couple
of tracks of JUST MARRIED but the flickering arrangements
and Sami's modulating baritones? makes things promising for
it to be an audible situational number.
Finally, serenity of romantic emotions erupts out in the
soft and supple vocal delights of Shreya Ghoshal in lovable
sounding ''Mausam''. Mayur Puri's quizzical verbatim of ''Mausam''
and ''awesome'' gets a mellifluously tranquil backdrop of
natural delights of smoothening melodic works. Pritam's composition
may not be extraordinarily innovative in its rhythmical flows
but jesters out all extravagantly baroque emotions in its
mellowed orchestrations. The everlasting soul-sauntering impact
in mushy textures is simply delightful for ears and it deservedly
deserves a potential cinematic viewing for its viewers.
''Meri Ek Ada Shola'', a situational dancing track with Arabic
cum western arrangements comes out as the final attribute
from the album. Sunidhi Chauhan, Akriti Kakkar and Sukhwinder
Singh voices this sing out that has strong ''Bollywood-climax''
song feel where one expects the arrival of hero in the closing
stage of the film. This 70's and 80's ''filmi'' number will
be more akin to the deadly feel of the film than anything
invigorating for its audio sales prospects.
KIDNAP comes out as the first roadblock in Pritam's dream
run of success and ends up as above average album with couple
of impressive soundtracks. Soundtracks like ''Hey Ya!'' and
''Mit Jaaye'' hold maximum promise while ''Mausam'' and ''Haanji''
works expressively with the situational needs of this action-packed
potboiler. as consequential like SINGH IS KINNG, KISMAT KONNECTION,
RACE OR JANNAT but will be working well with the sentiments
and feel of the film.
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