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Victory
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Cast : Harman S. Baweja, Anupam Kher, Amrita Rao,
Navjot Singh Siddhu, Allan Border, Dalip Tahil, Gulshan Grover,
Mohindar Amarnath
Directed by : Ajitpal Mangat
Producer : Manmohan Shetty, Ajitpal Mangat
Music Director : Anu Malik
Lyricist : Syed Gulrez, Amitabh Verma
Release Date : 30 January 2009
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CHAK DE INDIA, a path-breaker by all standards, opened gates
for 'sport-centric' cinema and as expected there are many
to follow this trend. Ajitpal Mangat's VICTORY promises triumphant
show in this genre that showcases 'Cricket' as its centre-stage,
where a bunch of international cricket stars makes their guest
appearances. Like its lead man Harman Baweja, VICTORY goes
special for Anu Malik who suffers from series of disasters
and hopes for a big bang with this album. After the debacle
of LOVE STORY 2050 and booty-shaking UGLY AUR PAGLI, things
look grim and fidgety for him. Can VICTORY be victorious fare
for him? Will year 2009 be resurrecting year for both Harman
Baweja and Anu Malik? Let's get straight for the first volley
as things looks really interesting for this cricket fanatic
flick...
Pritam had a 'hard-rock' blast with Rupam Islam's 'Jannat
Jahan' (JANNAT) and the similar madcap fervor of riches meeting
media-savvy cricketer makes another racy outburst in 'Money
Money'. Anushka Manchanda sings out like a crooner with higher
electronic notes as its flashy backdrop with an upbeat feel
of disco-floors. Syed Gulrez's mish-mash wordings makes snazzy
undertones of lavish lifestyle and fluctuating fortunes in
simplistic verbal flows, but the soundtrack shapes out to
be pompously loud background number. Anu Malik?s overdo of
electronic beats and the extra jarring orchestrations makes
it even ear-splitting. Anushka has another ace in this thriving
pulsating number while Krishna booming back-up vocals supports
the spirits to its best.
Anu Malik gets an opportunity to deliver out 'Cricket-anthem'
and the much anticipated musical piece for this sport-centric
flick comes in the form of cheering cum 'bhangra' flavors
in 'Balla Utha Chakka Lagga'. Daler Mehndi along with Sukhwinder
Singh makes all boisterously hitherto efforts in making it
'Chak De Cricket' with racing 'dhol' beats along with cheering
leading the show. Syed Gulrez's passionately fluid words have
rigorous punches and it matches in tandem with impressive
sounding composition. It's the racy splurge along with cricket
enthusiast listeners that are likely to making this number,
a 'feel-sporty' massy track. It lacks the impulsive tinge
of recently heard 'Jai Ho' (SLUMDOG MILLIONAIRE) but aesthetically
shot choreographic moves can well be big boosting factor in
making it a massy hit number.
KK gets a soothing maneuver delivered in the form of 'viraah'
song with an archetypical 90's romantic feel with folksy touches
in 'Aisa Toh Socha Na Tha'. KK sparkles out well with his
varying pitching and voice modulations in successfully carrying
out melodramatically profound emotions. The composition could
have been composed in trendy set of arrangements while lyrical
works (Amitabh Verma) lack the 'novelty factor' that could
easily have made it an arresting somber number. Do hear it
again and again for KK's brilliant vocal rendition that has
an expressively touching affixation attached to it with its
every rhythm and beat.
'Gully' cricket comes out from dusty rustic backdrop of suburbs
to the fore and this 'kriket' (yes, 'Cricket' is called 'Kriket'
in local lingo) fever comes out loud and clear with 'bhangra'
beat culture in 'We Love Kriket'. Kailash Kher's resonating
loud vocals comes with 'cheer' mode and elates out 'Cricket'
as the most celebrated festive occasion of the nation. It's
a strictly average situational soundtrack that should be enlightening
out cricketing spirits in engrossing moments or end titles
of the flick.
If 'Aisa Toh Socha Na Tha' had KK written all over it then
the austerely charming lovable number 'Tu Ne Re' speaks volumes
about Shaan's prolific somber singing. Anu Malik strikes pure
gold this time with tender romantic emotions getting embarked
with supple piano and guitar notes, slender violin works and
soft drums. Syed Gulrez's supple romantic wording makes the
maximum impact with mushy 'easy-on-ears' feel. Despite its
90's romantic feel (similar to 'Badalon Mein Chup Raha Chand
Kyon' (PHIR TERI KAHANI YAAD AAYI) in sluggish tempo); it
has that desired captivating charm to lure listeners. After
recently 'Kuch Kum' (DOSTANA), Shaan has another remarkable
soft rock ballad in the form of 'Tu Ne Re' that will surely
be adding bright sparkle for both composer and singer. Charming!!!
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VICTORY gets into top-most gear melodic mood and the ferocious
feel of 'wounded tiger' makes all thumping moves in the title
track 'Victory'. Anu Malik tries to rejuvenate the sporty
feel of 'Eye of the Tiger' (Hollywood's ROCKY) in this 'hard-rock'
attired number but the composition is unimposing and the lyrics
are clich?d. Upcoming talent Dibyendu races out his vocal
chords to the highest volume to deliver 'killer feel' but
the infectiously thunderous feel is strictly situational and
serves to the occasion in the flick.
After mixed and matched flavors of varied genres, old-fashioned
Bollywood musical feel comes out as the last attribute, where
an array of singers collaborate out to deliver out congratulatory
feel for the protagonist in 'Maaza Aa Gaaya'. It's more like
'Raju Ban Gaya Gentleman' (RAJU BAN GAYA GENTLE MAN) type
of situational number where talents like Sonu Nigam, Suresh
Wadkar, Sudesh Bhosle, Altaf Raja, Mahalakshmi Iyer and Sumitra
Iyer sings in tandem. Anu Malik makes this offering special
for 'interiors' listeners who still prefer 'filmi' sounds
more than upbeat orchestrations.
VICTORY comes with no big surprises and neither makes itself
triumphant enough to make any substantial impact. Anu Malik
has another 'decent-hear' album that can work well with the
'sport-centric' feel of the film. It's all singers like Shaan,
KK and Anushka Manchanda who prop up as the real 'heroes'
of the album. The high points of VICTORY are soundtracks like
'Tu Ne Re', 'Aisa Toh Socha Na Tha' and 'Money Money', that
makes it commercially safe and sound affair. Do expect 'Balla
Utha Chakka Laga' to be running loud in cricket seasons as
it comes close to similar sounding and immensely successful
sporty cheerful tracks like 'Chak De India' (CHAK DE INDIA)
and 'Dhan Dhana Dhan' (DHAN DHANA DHAN...GOAL).
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